Charles Daly

Writer

Tag: books

“Nobody Wants to Read Your Sh*t”

I’m keeping my head down this week, and getting back to not giving a fuck about anything but the work after I voted and fulfilled my civic duty on Tuesday and checked my phone for results all night.

Politics tends to be a blind spot in my reading as it will be in these roundup posts. That said, anyone interested in finding a non-obvious way to take on Trump should read Conspiracy: Theil, Hulk Hogan, and the Anatomy of Intrigue, Ryan Holiday’s account of the Hulk Hogan vs. Gawker lawsuit and its implications for next-level dissent.

What I’m Reading

Shoe Dog by Phil Knight — The story of how Nike was built out of Knight’s parents’ basement.

The One Inside by Sam Shepard — So far I’ve only read the lyrical introduction by Patti Smith who describes it as a work of a “loner who doesn’t want to be alone.” Who is “Captivated, confused, and amused by women, drawn toward them yet compelled to skip out.” Shepard dedicates the book to multiple women.

Nobody Wants to Read your Sh*t: Why That is and What to do about it by Steven Pressfield As in his other books, Pressfield preaches the gospel of showing the fuck up, overcoming procrastination, and organizing your work with a three-act structure. He talks about the various stages of his career and why copywriting is phenomenal training for an aspiring novelist.

“I’m a Millennial and I don’t Understand my Peers–  Not Even a Little Bit” By Ryan Holiday

Ryan Holiday’s advice on how and why to find a mentor and why you shouldn’t use the word “mentor” in their presence.

John LeFevre, Creator of @GSElevator,  just for fun. He has some solid advice about affiliate links (which, by the way my reading list uses) as a way to generate passive income for writers.

What I’m Listening to

A TED Talk about how and why to work for free some of the time.

Radiolab, “In the No.” a 3-part, NSFW, series about consent.

What I’m Writing

Lots of housekeeping this week:

I’ve been self-educating about SEO and setting up a new theme for my website.

I wrote a letter (okay, an email) to one of my favorite living crime writers, and he wrote me back. Made my week.

What I’m doing

Headed to New York for a fundraiser supporting my filmmaker friend Bridget Gormley‘s documentary about post 9/11 illness.

Show Your Work!

 Yesterday’s blog post started as a long caption on Instagram, under a photo of my writing tools. I was sharing my stoke over starting a new novel–in the only way I can since I won’t say what it’s about until I have a draft–but I was also answering a prompt from Austin Kleon’s handy little book,  Show Your Work! In this guide to putting your stuff out in the world, Kleon dispenses powerful and simple advice like “share something small every day.”

 

 

Show your Work by Austin Kleon share something small every day

 

Yesterday, I was doing just that—as I am in with this post. Both days I felt like I had nothing to say, and I’m sure I’ll have to slay that dragon again tomorrow. What got me writing was letting go of the need to create from scratch, opting instead to document what’s right in front of me.

 

In the third day of writing a novel, I don’t have any creative writing that’s ready to share. But I can talk about my process, my tools, my creeping insecurities, and the books on my nightstand—including the one that inspired me to write this post in the first place.

 

Kleon offers specific advice on how to do this:

 

“Once a day, after you’ve done your days work, go back to your documentation and find one little piece of your process that you can share. Where you are in your process will determine what the piece is. If you’re in the very early stages, share your influences and what’s inspiring you. If you’re in the middle of executing a project, write about your methods or share works in progress. If you’ve just completed a project, show the final product, share scraps from the cutting room floor, or write about what you learned. If you have lots of projects out in the world, you can report on how they’re doing—you can tell stories about how people are interacting with your work.” (Kleon, 48.)

 

He also shares a graphic outlining what to share and what not to share:

 

Austin Kleon show your work share something small every day

And that’s the problem: I sort of conflated sharing with oversharing, as if showing friends and followers where I work is the same thing as a selfie-reel or pictures of my lunch.

 

At first glance, that attitude might seem profound, like a humble stand against the self importance and the vapidity of social media. But really, it’s just control freakery in disguise. Part of sharing one’s stuff is letting it go. I don’t dictate the terms of how others experience my work. I don’t get to micro-mange their response. And that’s a good thing, because the response to my post was better than anything I could have arranged for myself:

 

I connected with some new writers, who must have found me through the hashtags.

 

A buddy of mine asked to be a character in the novel—he doesn’t know he already is.

 

One friend noticed the crime writing hashtags and asked me all about that genre—something she didn’t know I was into. And she, in turn, told me about fantasy writing and world-building, something I didn’t know she was working on.

 

Another friend, who I haven’t talked to in a while shared what he learned about long projects from his marathon training. We ended up talking about his next race. (What up, Pete!)

 

None of this would have happened if I hadn’t gotten over myself and put my scrap of the day out into the world.

 

show your work by austin kleon

 

Hemingway Collection at the JFK Library

Ernest Hemingway didn’t travel light. His baggage included a modern art collection, books, drinking accessories, an impressive gun collection, and the heads and pelts of his hunting kills. Always on the move, he schlepped it all through three wars, four marriages, two plane crashes, and many homes. His writing style itself left a tremendous paper-trail as everything he wrote went through dozens of drafts. The last page of A Farewell to Arms was rewritten 49 times. Fortunately for future generations, Hemingway never threw anything away.

“Courage is grace under pressure.” President Kennedy used Hemingway’s definition of courage as the epigraph to his own book Profiles in Courage.

The final home for much of Hemingway’s stuff and 90% of his papers is the JFK Presidential Library in Boston Massachusetts. Some of the collection is on display (at least until December 31st, 2016) in an exhibit, Hemingway Between Two Wars, while the rest is in the Hemingway Collection, a wing of the Library archives.

Last month, I was lucky enough to visit both.

 Check out my visit to the JFK Library’s Hemingway Collection on Medium. 

I Read 66 Books in 2015, Here are my Favorites

We love to buy books because we think we are buying the time to read them.” —Arthur Schopenhauer

This is the year I finally got on Goodreads (you can add me here.) One year on, my reading has never been so good. Keeping track of what I read has me reading more, holding myself to a book-a-week minimum. And I’m actually spending less on books. Before I started Goodread-ing I would buy just about any book I intended to read someday. My bookshelf was my reading list. Now I keep it in my pocket.

Here are my favorite reads of 2015.

FICTION

BLOOD MERIDIAN — CORMAC McCARTHY

Blood--Meridian--Cormac--McCarthy

David Foster Wallace chose McCarthy’s masterpiece as one of the five most ‘direly underaprieciated’ American novels since 1960. In a rare stroke of brevity Wallace kept his notes on the book to just three words:

‘Don’t even ask.’

Blood Meridian follows a group of ex-soldiers paid to collect Apache scalps in the American West. They start by killing warriors, then women and children, and before long, it’s open season on anyone with brown hair. Think Melville meets Milton in the high desert with plenty of antique riflery jargon. Harold Bloom called it ‘the ultimate Western.’

It’s rumored that McCarthy’s research included making homemade gunpowder from urine and naturally occurring sulfur.

UMBRELLA — WILL SELF

Umbrella--Will--Self

A novel that spans a century, told in a madwoman’s stream of consciousness, scrawled in Will Self’s sesquipedalian prose. Don’t ask me how, but it works. Brilliantly. Will Self’s experiment is a continuation of the modernist novel–Joyce and Woolf are all over Umbrella.

In his critical defense of the book, Self argues that modernism isn’t over and that someone living in any of the great ages before us, say the Renaissance, would laugh at the notion that an era in art could last just a couple of years. His exact words were much more sesquipedalian.

FOREST OF FORTUNE — JIM RULAND

Forest--of--fortune--jim--ruland

Jim Ruland’s debut novel, Forest of Fortune is a new classic of California noir. It’s Raymond Chandler in the age of polyamory, Dashiell Hammett with a novelty coke straw up its nose, or Inherent Vice after the yuppies stormed the beaches and nudged all the freaks east of the 405. The setting, a ‘possibly haunted’ Indian casino, is hysterical, the players are human and heartbreaking.*

*From my interview with Jim Ruland

CRASH — J.G BALLARD

Crash--JG--Ballard

A ghastly exploration of the erotic potential of car crashes. We’re talking classic car crashes, pre-airbags, back when the windscreen and chrome fixtures could flay you alive. If you’re into Fight Club and the lyrics of Joy Division, you’ve come to the right place.

AMERICAN SUBVERSIVE — DAVID GOODWILLIE

American--Subversive--David--Goodwillie

The first writer I’ve encountered who uses social media in his fiction in a way that makes any fucking sense. The people in David Goodwillie’s work are people, not paper dolls caught in the updrafts of National debate. This book beats the clever realists, like Roth and Franzen, at their own game.

Political thrillers aren’t my thing, neither are clever books set in New York, but this one blew me away.

NON-FICTION

KILLING FOR COMPANY — BRIAN MASTERS

Killing--for--company--dennis--nilsen--brian--masters

The creepiest book I’ve ever read. It might be the creepiest book ever written.

Killing for Company tells the true story of the serial killer, Dennis Neilson, AKA ‘Britain’s Jeffrey Dahmer.’ Brian Masters uses a detailed account of the killer’s entire life and family history to make a monster feel frighteningly familiar.

INDEPENDENT ED — ED BURNS

ed--burns--independent--ed

Indispensable advice from the micro-budget film-maker behind The Brothers McMullen, She’s the One, and Entourage. Comes in handy when you hit that slump in the middle of your passion project.

“Sometimes you’ve got to ignore the money and get back to why you got into this business to begin with. In most cases you got bit after seeing something like Nicholson in Chinatown or Pacino in Dog Day Afternoon. I’ve yet to meet an actor, writer, or director who decided to get into the movie business after hearing how much Schwarzenager got paid to do Kindergarten Cop.”

VAGABONDING — ROLF POTTS

Vagabonding--Rolf--Pots

A textbook for extended world travel. If you’re one to say ‘I’ve always wanted to go/do/see ______, Vagabonding might contain the motivation you need to finally take the leap. If you’re already living your adventures, Vagabonding is a refresher on travel basics and a reminder of why you do it.

Justin Alexander, the most interesting man on Instagram, is a big fan.

21 YAKS AND A SPEEDO — LEWIS PUGH

Lewis--Pugh--21--yaks--and--a--speedo

Pure enjoyment when I needed a break from dark, dense, and gruesome titles. 21 Yaks and a Speedo is a collection of life lessons from extreme swimmer and environmental champion Lewis Pugh. The ‘yaks’ are these highly digestible stories that take about five to ten minutes to read. The ‘yaks’ depict the training of a hero and offer inspiration to, as Pugh is so fond of saying, ‘achieve the impossible.’

Achieving the impossible in his case means swimming on Mt. Everest  and at the North Pole in nothing but a speedo.  His TED Talks on those swims are extraordinary.

* * *

What were your good reads in 2015?

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